Shelly Asquith, the student union president of the University of the Arts London, wrote to the late designer's head office accusing the label of "using and abusing" fashion students, after becoming aware of an advertisement for an 11 month-long unpaid internship. According to Huff Post UK, one of Alexander McQueen's studio managers in London sent an email to various fashion and design schools saying they were in "urgent" need of a "talented knitwear student" after their current intern had suddenly left. The internship, which is set to last from 6 to 9 months, and consist of nine and a half hour days, five days a week, is largely unpaid. However, the design house will pay for travel expenses would be paid and the intern will be provided with lunch vouchers. The fashion giant has since apologised. Read Asquith's letter after the break and be sure to tell us what you think of the alleged internship requirements ...
I am writing to you with concern regarding the unpaid work placement you recently advertised for unpaid student workers in your knitwear department.
As if studying for a degree in arts and design wasn’t a financial burden enough, your email requests students to work for free for up to 11 months in your studio, and all they will receive in return is a meal voucher.
For anyone like myself – with a household income far below the level of debt I rack up each year – it is a daunting prospect to be graduating at a time of mass unemployment and limited investment in the arts. Besides the tens of thousands of pounds worth of debt students are ordinarily graduating with, any creative subject requires a large amount of investment. Students at my college - Central Saint Martins - spend up to thousands of pounds on their final collections and material costs throughout the academic year. Many of them have to work part time to fund their studies. But it is now the very commonplace unpaid internship that has become the latest financial barrier to making it in the fashion world, leaving those from less affluent backgrounds without the ability to break in to the industry.
In your latest collection, a twill-woven jacket costs £8,930. It is a bitter irony that this is almost as much as the amount of fees a student who may have made it is paying in course fees each year. No amount of luxury is worth the slaving away of an unpaid worker. That students are spending months creating these pieces of clothing and not seeing any return is downright disgraceful and the label should be ashamed.
I was shocked when I first learned just how prolific the practise of taking on unpaid interns was in fashion. Big name designers such as yours use and abuse fashion students to pattern, fasten, cut and sew in to the early hours and in some cases even use their original designs uncredited.
The attitude of some is that this is ‘just the way it is’, but it does not have to be. Students gaining work experience is one thing, but where any person is carrying out work integral to the running of an organisation, they must be paid at least the National Minimum Wage - anything less is a breach of the law. Your advertisement requests a student worker to be ‘knitting on a domestic machine and making knitted samples, as well as research, CAD, presentation and organising of the collection.’ This clearly meets the definition of ‘work’. And it is not as if most labels do not have the money. Fashion contributes £21 billion to the UK economy, and with a revenue of over £40 million, McQueen can certainly afford to pay its staff. After much pressure from InternAware, Stella McCartney, a brand from the same business family last year signed up to pay their interns; clearly your brand is behind on this trend.
Alexander McQueen studied at my own college; he too was from a working class family and broke in to the industry after years as a paid apprentice on Savile Row before enrolling on MA Fashion. He worked hard and was paid for it. Considering his background it is unlikely McQueen would ever have been able to pay his way without a wage - his father was a cab driver and unlikely to have provided him with a trust fund. In fact, in his will the designer asked for part of his fortune to be granted to some of our most hard-up students at CSM. McQueen recognised the financial barriers that exist to make it in the industry: it is a great shame his legacy label is exacerbating them.
President, University of the Arts London Students' Union