For his Fall/Winter 2003 collection, Raf Simons was granted full access to the archives of Peter Saville, a living legend known for his graphic design work, much of which takes the form of record sleeves. Saville, who was honored with the prestigious London Design Medal last year, started art school in the mid-1970′s and then began working with Factory Records shortly thereafter. A partner in the Manchester-based label, as well as its artistic director, Saville was tasked with the creation of the Factory artists’ record sleeves, although he got his start designing posters for The Haçienda nightclub, which was run by the label. Inspired by Kraftwerk, a German electronic music band formed by Ralf Hütter and Florian Schneider in 1970 and a favorite of Raf Simons, and their Autobahn album sleeve, Saville went on to design the sleeves for Joy Division and New Order, among others. Rarely given any direction from bands regarding the artwork, Saville says, ”I was left to my own devices … I never had to answer to anyone.” This was especially true given the “non-commercially structured” nature of Factory, which “allowed us to make statements that we believed in and wanted to make, without much compromise,” says Saville.